Inaayah Cunningham

Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it).

The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Almonade is a cute and casual handwritten font with an incredibly friendly feel. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art!

About the Product :

Richest is a very attractive display font, each Fonts has its own uniqueness, is made with great care to produce a good work. Richest font can be used to make flyer banners title, logo, Book or magazine header. it also can be used for product branding

Features :

• Kochire All Character
• Ligature
• Alternate Character
• Multilingual Support

Patches is a multi-faceted, victorian-era serif typeface for when you need something more than plain text. Get that extra attention while adding a genuine, original appearance to your message. 

Patches was designed from scratch to give a sense quality and depth. Its designer Mans Greback has created a typeface with a complex structure, yet one that will be easy to master. This work will suit every style, taste and skill level. It is a decorative and completely hand-drawn design in vintage lettering, with the perks and flexibility of present-day technology, which is exactly what you'd expect from a modern typeface. 

Whether you are making a decorative floral headline, drawing a cowboy logo, or creating a unique design based on this ornamental font, the hopes are that Patches can give you a set of tools and inspiration to bring out the best of your artistry. Standing on the shoulders of giants, it was inspired by a wide range of works, and will hopefully be able to continue to teach and inspire future artists. Or at least help you become a better designer when you're designing an elegant and classic headline. 

Set the coloring of Patches to light gold and cream tones to apply a luxurious look, or in dark tones for a more rugged impression. Bold, bright colors will make it appear 

In the mid-1800s, decorative design flourished in the Western major cities. Victorian style thrived and encouraged techniques such as enamelling, embroidery and calligraphy. From the 1880s onwards, there were a series of reactions to higher Victorian tastes, with Art Deco reaching the heights of the 20th century. However, the Victorian art persisted popularity, as it changed to more sophisticated designs which made it more attractive to specific professions and groups. 

The evolution of the Victorian style in the mid-20th century was a key factor in the succession of the movement. Classic shops and salons, sport designs and traditional festivals, and later Rock'n'Roll and Harley Davidson-themed graphics ​inspired the continued development of the art.

Aspiring to carry on this tradition, this typeface family consists twelve different high-quality variations. The main ones are Patched and Patched In – an outlined variation – and each one provided in five weights: Thin, Light, Medium, Bold and Black. Additionally, the two rough fonts Hangaround and Prospects, that tries to grasp the rough, earthy atmosphere of a shady motorcycle club. 

The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. 

It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Captain Kangaroo is a cute and sweet handwritten font with an incredibly friendly feel. This font will turn any creative idea into a true piece of art!

This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of special features including ligatures.

Isabella Script is handwritten stylish copperplate calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc.

Isabella Script features 420+ glyphs and 169 alternate characters. Including OpenType Stylistic alternates, ligatures and multiple language support.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC (With Glyphs Panel), Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

Isabella Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.

Introducing of our new product the name is Northead, the vintage serif font inspired by label beer and vintage signage, Northead is all caps font is good for branding, Packaging, poster, headline, book cover, Flyer, t-shirt design and any more.

Hastery - Signature Font - Perfect for branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, and more.

Features:

• Uppercase and lowercase letters
• Swash alternates ( Beginning, Ending )
• Multilingual symbols, numerals, and punctuation

How To Access Alternate Swashes?

You can read this article: https://helpx.adobe.com/illustrator/using/special-characters.html

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Hidayatullah is a bold and distinct display font, featuring Arabic influences. Expertly designed to make your creation look out of this world, this font has the potential to take your ideas far further.

Gafiton. A reverse contrast bold font suitable for display especially. Perfect for your daily project like for headline poster, packaging, social media, branding, or anything about pop and fun design.

No matter if you’re professional or beginner, your work should be fun. And if you are a coder/programmer, your coding font should be something you enjoy looking for very long time. Square and crisp coding fonts might be easy on the pixels, but are they easy on your eyes? Do they keep you entertained at work?

Codelia is a monospaced humanistic typeface designed for coding with focus on comfort and fun without sacrificing legibility or coding functionality. It’s fun but not a joke. Its round shapes are easier on the eyes and make the code look less intimidating. It is not designed to make maximum use of every pixel on screen, but to make you forget about pixels. The italic is full of personality but sober enough to not draw unnecessary attention.

Codelia works great for coding, but also in presentation, education as well as packaging and branding.

Codelia is available in two families, one with coding ligatures and one without; ligatures in the latter are still present in Diescretionary Ligatures feature (dlig).

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself.

Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste.

This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Dark Star is a modern, futuristic typeface with a sci-fi, high-tech look.

The letter design is a geometric sans but also slightly rounded to make a more organic and natural impression.

The suggested use for Dark Star is logo design, headlines in editorial design, packaging, web and print titles and game design.

This futuristic typeface was designed in 2021, released by pleasurefonts and comes in 6 weights with a glyphs amount of 394.