Inaayah Cunningham

The Data Error AOE Family was one of my earliest typefaces, at a time when I had become obsessed with all forms of "digital/techology" typestyles. It's been awhile since the early 2000's, but I've had a hankering for awhile now to revisit this typeface, giving it a more expansive language character set and fill it out with some Opentype features.

Inspired by some old printouts of BASIC programs and an Atari 1050 Disk Drive manual with pin printer examples, comes the familiar yet oddly restricted style with this Data Error family. This family comes complete with Regular and Bold versions with their respective Oblique versions. Odd pin printer restrictions inherent in this typeface are: no characters extend below baseline or above ascender line, (except international accents).

A nostalgic typeface for computer programmers everywhere, strong and legible at any size, Data Error is perfect for so many purposes, get it today!

About This Font Nalgae is a Korean modern-traditional conceived from Hermes' shoes.

By flowing the end of the letters with a brush, the speed of stroke : express wind,

It is a design font created for complement it more as an illustration.

This font is for express Hangeul (Korean alphabet) unique, importance, logotype, pattern, title, branding and more.

Momoiro is a feminine typeface family, designed for editorial use.

"The first case in which appeared a fashion content in a magazine was in 1672 in the magazine Le Mercure Galant, which was a magazine of entertainment and varied content, including fashion. But the first illustrated and specialized magazine was Le Journal Des Dammes Et Des Modes, created in 1797. "(Fashion Trends, 2011).

On the basis of this historical period, the creation of typography has characteristics of a Baroque type. "In this category we mainly include the types created in the Netherlands during the seventeenth century and whose protagonists are the punch makers Reinhard Voskens and Christoffel Van Dijck. Baroque typography stands out for its accentuated play of irregular axes and contrasts that permeate the text of great vividness. "

Therefore it has contrast in the thick and thin strokes, Roman serifs, humanistic axis. With this typography, we are not looking for a re-reading of the baroque, but rather a current typeface with humanistic characteristics of the handwriting, with a brush as a differential.

Momoiro comes in two weights plus italics to cover as much design needs as possible. It compliments from OpenType features such as ligatures, swashes, true fractions, old style numerals and stylistic sets.