Inaayah Cunningham

Aulian is an arabic font style made in all characters in uppercase, lowercase, multilingual, ligature, numeric and punc.this typeface with artistic style verym terestingt for loads of different projects and promotions, such as logo, poster, catalogs, advertisement needs, packagingdesign.

Bayannur is a typeface published by Monoco Type Foundry inspired by Arabic Calligraphy in Chinese Tradition. This font has extensive Latin script support with many ligatures and stylistic sets, as well as Cyrillic and unique Arabic design with contextual alternates and many ligatures. The glyphs in this font also specifically support Uyghur script typing*. Abdurrahman Hanif, designer based in Jakarta, is currently studying Arabic Calligraphy in Chinese Tradition with Haji Noor Deen and trying to develop this font as his appreciation for this beautiful Art of Calligraphy.

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives.

Lina type family consists of Lina soft, Lina sans, Lina round.

The design is inspired by the Kufic calligraphic style and influenced by the Naskh style.

Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes.

It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv.

Lina Soft consists of 7-weight versions from thin to bold.

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives.

Lina type family consists of Lina soft, Lina sans, Lina round.

The design is inspired by the Kufic calligraphic style and influenced by the Naskh style.

Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes.

It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv.

Lina Soft consists of 7-weight versions from thin to bold.

The Saihat font is inspired by Arabic or Middle Eastern style calligraphy. This font is made with Latin characters so that it can be read internationally which does not have to be able to read Arabic characters. This font is perfect for Middle Eastern or Muslim designs. In addition, the Saihat font can also be used for other decorative design concepts.

Foda Kufi is a Arabic modern Kufi typeface with a touch of historical and Islamic styles, consists of 6 weights: 4 main fonts and two Extra weights for decorations.

Foda Kufi is particularly suitable for Headlines, display settings, in titles or decorations.

Hidayatullah is a bold and distinct display font, featuring Arabic influences. Expertly designed to make your creation look out of this world, this font has the potential to take your ideas far further.

Iwan Zaza is a high-contrast modern Arabic typeface designed by Ahmed Zaza. The design is inspired by the Kufi calligraphic style and influenced by the Naskh style. Iwan balances classic and contemporary tastes with wide open counters and short ascenders and descenders that minimize the hight. And has a high - contrast between the vertical and the horizontal to line up in harmony with Latin. And openType alternates and ligatures set. This makes it suitable for branding, editorial, packaging and advertising.

Iwan features five weights from Light to Black, and supports OpenType features for Arabic, and has a wide glyph set.

Art Deco Arabic is a sans-serif Headline font. Designed by Naghi Naghashian as a sigle weight. Art Deco Arabic is reminiscence of Art Deco style, at the beginning of 20th century. The Latin part is a new design inspired from Art Deco style. It is extremely legible even in very small size.

This font is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility.

Art Deco Arabic supports Arabic, Persian ( Farsi ), Urdu and Latin.It also includes proportional and tabular numerals for the supported languages.

Art Deco Arabic design fulfills the following needs:

A   Explicitly crafted for use in electronic media fulfils the demands of electronic communication.

B   Suitability for multiple applications. Gives the widest potential acceptability.

C   Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop, InDesgine or Illustrator. ArtDecoArabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D   An attractive typographic image. Art Deco Arabic was developed for multiple languages and writing conventions. Art Deco Arabic supports Arabic, Persian,Urdu and Latin. It also includes proportional and tabular numerals for the supported languages.

E   The highest degree of calligraphic grace and the clarity of geometric typography.

Pumice is a modern sans-serif typeface with characteristic and defined features. This font Name was inspired by the Aden pumice. Its design is composed of diverse 8 styles.

Create unique designs by combining any of the upright weights with matching italics. Pumice includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.

Pumice was specially designed for branding, advertising, editorial design, Web, and use on Tv and social media.

Designers: Sultan Maqtari

Publisher: Sultan Fonts

Albert Arabic a charismatic type. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.