Inaayah Cunningham

You can’t reinvent the wheel

When it comes to designing a sans serif, many designers stick closely to existing models. How boring!

Others try to demonstrate self-reliance by special stylistic elements – at the cost of readability or aesthetics, or both.

I did chose a different way: My Font should just look pretty and friendly, being the good buddy for all days. This is how the name is explained.

Dutchly is a modern, handwritten, signature font. It is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events and more. Dutchly includes 140+ Ligatures and multi-lingual support.

RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.

The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester.

Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography. 

Ardella Edges three subfamilies appear as - X01, X02, X03

These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, available in 9 weights, with italic and outline faces and as a variable font - each one containing over 550 glyphs.

Full European latin based language support.

Ardela Edge's three family concept means all character alternates are accessible to all, on any software. The cut glyphs feature as the CAPS of the font, whilst the unaffected letters appear as the lowercase.

Many subtle ligatures are accessed by typing in all caps, however to access all ligatures requires software with opentype capabilities, such as Adobe Illustrator, Photoshop, InDesign or Inkscape.

The Bystander is an original font collection of eleven fonts. Inspired by masters of art photography. It contains eleven typefaces in sans, serif and script styles, which are all works great together or in their own. The script version also combined with ending swashes, use stylistic alternates from 1 to 8 to work with them.

This is our newest product, we call it Sakola!

Sakola is a hand writing font, with sweet touches and unique personality in each letter.

Sakola is very good to use on:

- Wedding invitations

- Fashion magazines

- Logos

- Signatures

- Photography watermarks

Manaline includes a hand lettering look that is attractive and natural. Every single letter has been carefully crafted to make your text look beautiful. This font includes over 233 glyphs, including over 30 alternate characters with swashes. It has over 60 extended Latin characters for language support. 

This font is suitable for invitation, branding, advertising, classic design, poster design etc, and also this font is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

The typeface Boom Pang Pow is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. A collection of comic and pop art elements like Speech Bubbles Catch Words, Punctuation Symbols, Boom, Pow, Bang … with various layers for colouring.

1 font-style (Comic) with 248 glyphs (Adobe Latin 1).

For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.

Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Nyata™ — Clearly Visible, No Matter What.

I love London for its finest visual branding, especially its Johnston typeface spreading all over the city. It inspired me to create this new font family: Nyata™.

Nyata means clearly visible in Indonesian. The typeface is designed to be clean, unique, and legible. It is a great combination for any display requiring high legibility, such as city’s way finder. 

Long ascenders help some characters more obvious. You will never confuse wether it is an h or an n. Moreover, I tried to create all the letters are distinguishable. Of course, no time for people to doubt between Uppercase “I” and lowercase “l” when seeing a way finder. Last but not least, it is equipped with tons of OpenType features such as slashed zero to help the words more obvious, or stylistic sets if you don’t fancy the serifed uppercase I.

Nyata™ is also delivered in Variable Font format. Enjoy all the styles and everything in between in one variable font only sized less than 150kb.

Meytha simplifies elegance into a one truly outstanding handwritten font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles to stationery, also greeting cards, invitations, store names, posters, labels, quotes, and any kind of design.

To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

Meysha was created with stylish and authentic handwritten characters. This font is PUA encoded and contains an extended Latin Character set.

Meysha comes with 281 glyphs and 52 alternate characters as OpenType features (supported with contextual alternates mode). Meysha also includes 11 extended ligatures, allowing you to make you designs look more exclusive and pro standard.

Meysha works perfectly for logos, display, product branding, wedding invitation cards, stationary, packaging, clothing, flyer, apparel, magazines, brochures, labels, posters, badges, and more.

Wallington Pro is a decorative-serif font embodying vintage and elegant curves with functional structure. Style is adopted from Old English cultures with their descendants around mid-12th century and Art nouveau in 19th century, it was inspired by natural forms and structures and the curved lines. Crafted with love and easy-to-read letter design.

Wallington Pro consists of 721 glyphs including 268 unique ligatures, 30+ catchwords and 10 stylistic sets. All glyphs are divided into several OpenType features such as Ligatures, Contextual alternates, Old Style Numeric and some astonishing special characters that allows you to mix and match pairs of letters to fit your design. This variety encourages unusual and extroverted creation in lettering design.

The typeface offers numerous combination possibilities between the basic glyph set and stylistic sets.The stylistic sets are alternate alphabets that you can access by using OpenType savvy programs such as Adobe Illustrator, Adobe Photoshop CC, Affinity Designer, CorelDraw or Adobe InDesign.

Wallington is an experimental and versatile font. Suitable for digital lettering, prints, logo, poster, t-shirt, packaging and applicable for some type of graphic design.

Momoiro is a feminine typeface family, designed for editorial use.

"The first case in which appeared a fashion content in a magazine was in 1672 in the magazine Le Mercure Galant, which was a magazine of entertainment and varied content, including fashion. But the first illustrated and specialized magazine was Le Journal Des Dammes Et Des Modes, created in 1797. "(Fashion Trends, 2011).

On the basis of this historical period, the creation of typography has characteristics of a Baroque type. "In this category we mainly include the types created in the Netherlands during the seventeenth century and whose protagonists are the punch makers Reinhard Voskens and Christoffel Van Dijck. Baroque typography stands out for its accentuated play of irregular axes and contrasts that permeate the text of great vividness. "

Therefore it has contrast in the thick and thin strokes, Roman serifs, humanistic axis. With this typography, we are not looking for a re-reading of the baroque, but rather a current typeface with humanistic characteristics of the handwriting, with a brush as a differential.

Momoiro comes in two weights plus italics to cover as much design needs as possible. It compliments from OpenType features such as ligatures, swashes, true fractions, old style numerals and stylistic sets.