Inaayah Cunningham

Introducing Zink - Display Typeface

Zink is bold, clean typeface with 2 font styles, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes.

Zink is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.

• Uppercase, numeral, punctuation & Symbol
• Regular
• Outline
• Ligatures
• Multilingual support

Feel free to contact me if you have any questions!

Mock ups and backgrounds used are not included.

Thank you! Enjoy!

Introducing Blackpaper - first ever useable negative space font

Blackpaper is super easy to use and advanced skills are not needed

Blackpaper is bold, innovative font loaded with ligatures and multilingual support. It's a very versatile font that works great in large and small sizes.

Blackpaper is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.

• Uppercase, numeral, punctuation & Symbol
• Innovative
• Alternates
• Ligatures
• Multilingual support

Feel free to contact me if you have any questions!

Mock ups and backgrounds used are not included.

Thank you! Enjoy!

Pema – a contemporary Tibetan sans serif encoded in the Unicode standard. This is the first Tibetan typeface influenced by western sans serif fonts. It was designed especially to match multilingual purposes. The rather calligraphic Tibetan scripts did not match with the design aesthetics of western and Indian fonts and so I came up with the idea to design a “modern” Tibetan sans serif. Pema comes in two weights, Regular and Bold, each equipped with almost 1.300 glyphs.

Meytha simplifies elegance into a one truly outstanding handwritten font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles to stationery, also greeting cards, invitations, store names, posters, labels, quotes, and any kind of design.

To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

Mori Gothic is a versatile and sophisticated sans serif inspired by the Contemporary Japanese design, best suited for editorial, graphic design and branding.

From extra light to bold, it was designed with plenty of open type features, including stylistic sets with circled and squared numbers, subscript and superscript numbers, symbols and punctuations (some of them Japanese), graphic and mathematical symbols and many alternates.

Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003).

During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted.

These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms.

The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics.

Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.

Albert’s a charismatic typeface. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.

FS Albert Pro has multilingual features, including Latin, Greek, Cyrillic, Small Caps, Oldstyle & Lining Figures, Superiors, Fractions, Alternative characters.

Albert Arabic a charismatic type. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design!

Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.